In an acquisition which underscores the usually shared sensibility between Canal+, France’s largest pay TV operator, and Movistar Plus+, the most important Spanish pay TV participant, Canal+ has acquired Canneseries winner “The Left-Handed Son” (“El hijo zurdo”), a Movistar Plus+ authentic sequence.

The sequence will bow on Canal+ on April 5 in a deal brokered by Movistar Plus+ Worldwide.

A psychological thriller with a lyrical undertow which surfaces to shifting impact in key scenes, “The Left-Handed Son” marks the auspicious directorial debut of Rafael Cobos, the career-long co-scribe of Alberto Rodríguez, from 2005’s “7 Virgins” by way of worldwide hit “Marshland” to 2017’s “The Plague,” nonetheless one of many largest sequence which Movistar Plus+ has ever made.

World premiering at Canneseries in April 2023, “The Left-Handed Son” went on to win greatest sequence within the TV pageant’s quick kind competitors.

Produced with Átipica Movies and co-directed by Paco R. Baños, who helmed 4 of its six episodes, “The Left-Handed Son” kicks off with Lola, in her late thirties, receiving a phone-call from the police: Her son, Lorenzo, close to 18, is being held in custody. When she will get to the police station, she’s instructed that he’s crushed up a Moroccan child, practically killing him. Why? “As a result of your son’s a skinhead,” an officer tells her.

Lola had no thought. Created by Cobos, “The Left-Handed Son” then traces a way of inadequacy, felt by an typically drunk and absent Lola, who feels she doesn’t reside as much as her mom’s expectations and certainly to her personal. That is inherited by Lorenzo, whose violence is a name for consideration from a son who feels deserted.

The sequence is ready in Cobos’ native Seville, each its upscale eating places and humble high-rise periphery the place Lola finds an surprising pal who supplies her among the steering she desperately lacks.

María León, who broke out in her first main film position in 2011’s “The Sleeping Voice,” profitable greatest actress on the San Sebastian Movie Pageant and a Spanish Academy Goya, performs Lola. 

“The Left-Handed Son” “contrasts with my prior screenplays, which have been essentially primarily based on incidents, occasions sparked by actual occasions the place characters typically need to carve out a manner ahead by way of small particulars dissolved within the dramatic motion – the indeniable driver which many occasions comes to indicate the plot,” Cobos instructed Selection within the run-up to Canneseries.

“Starting to develop ‘The Left-Handed Son,’ I made a decision that characters would for me decide occasions, stunning me, changing into the essential driver of its battle, and never the opposite manner spherical. And that, from this place to begin, I’d apply the exact same instruments of pressure and rhythm which I’d utilized in thrillers, injecting them because the story performs out. In different phrases, I inverted fully my work technique, going towards myself,” he added.

The sequence is memorably scored by Julio de la Rosa, with occasional elements of songs. De la Rosa’s rating is “stunning, lyrical, however underscoring subtext, making it sometimes too apparent. The songs got here in to cover this very subtext, lightening the narration and giving it a special texture, one other house for the viewer,” Cobos instructed Selection. 

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