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Summary

  • G.O.D.S. #7 introduces the Vostok 7, a Soviet space mission that mirrors the Fantastic Four, with much more tragic results.
  • G.O.D.S. #7 artfully mirrors Fantastic Four’s origin story with bold color choices and a character risking everything for family.
  • Writer Jonathan Hickman’s fascination with character parallels and Soviet history shines in this new comic issue.

Contains spoilers for G.O.D.S. #7!The Fantastic Four once set off on a space-faring mission that changed their lives forever, and now Marvel has just introduced another group whose own flight makes them both parallels and opposites to the FF. The tragedy of this other group is that their own accident makes them victims, not heroes. According to all official accounts, there was never a Russian Fantastic Four equivalent, but there’s still one hero who remembers them.

In G.O.D.S. #7, readers are introduced to the cosmonauts of the rocket Vostok 7, a Soviet equivalent to the Fantastic Four whose own space flight was far more tragic. Launching in 1963, Vostok 7 almost immediately disappears, lost somewhere outside the regular universe.

G.O.D.S. #7
is written by Jonathan Hickman, illustrated by Valerio Schiti, colored by Marte Gracia and lettered by VC’s Travis Lanham.

The launch of Vostok 7 in G.O.D.S. #7

This voyage parallels the Fantastic Four in some obvious ways. For starters, the FF’s own space journey was originally set in 1961, when Fantastic Four vol 1 #1 was published. The FF’s goal at the time was also to beat the Soviets to space, which makes it fun that there was in fact a near-simultaneous Soviet mission doing much the same.

Fantastic Four #1
is written by Stan Lee, penciled by Jack Kirby, inked by George Klein and Christopher Rule, colored by Stan Goldberg and lettered by Artie Simek.

Related

Meet Marvel’s New G.O.D.S.: The Magic Super-Team Here To Save Reality

Marvel has revealed several of the new godlike characters featured in Jonathan Hickman and Valerio Schiti’s upcoming G.O.D.S. comic miniseries.

These Russian Explorers Don’t Get The Fantastic Four’s Happy Ending

Dmitri rescues his mother in G.O.D.S. #7

As seen in G.O.D.S. #7’s present-day story, the crew of Vostok 7 have been trapped, unaging, in another dimension ever since, and begin rapidly aging when they return to reality. While the crew don’t get superpowers like the FF, they’re still changed forever by weird sci-fi science. These parallels aren’t limited to the issue’s plot either. G.O.D.S. colorist Marte Gracia limits his palette to bold shades of red and grayscale in the issue’s opening, mimicking the interior shots of the rocket from Fantastic Four #1, which similarly used hot colors.

G.O.D.S. #7 centers on the character of Dmitri, the son of the Vostok 7 cosmonauts, who risks his own life to rescue his parents from their potentially eternal fate. It ends with Dmitri potentially lost in this dimension forever while attempting to save his lost father. This dimension brings to mind the Negative Zone, the alternate dimension introduced in the Fantastic Four’s adventures. While the Fantastic Four don’t travel to the Negative Zone in their mainstream origin, it’s a staple of alternate retellings of that story, most notably in Ultimate Fantastic Four #1-3, where it’s called the N-Zone.

Ultimate Fantastic Four
#1-3 are written by Brian Michael Bendis and Mark Millar, penciled by Adam Kubert, inked by Danny Miki, colored by Dave Stewart and lettered by Chris Eliopoulos.

Jonathan Hickman Loves Both Fantastic Four Parallels and Soviet History

This parallel Fantastic Four is perfectly in character for G.O.D.S. writer Jonathan Hickman. Hickman is fascinated with the idea of characters and groups that parallel each other, and also has a fondness for writing 20th century history into his books. His book The Manhattan Projects also focuses on the scientists of the 20th century, including the Soviets, while another title, The Black Monday Murders, has parallel groups of Americans and Soviets in the 1980s. By invoking the political and social divides of the recent past, Hickman can build his thematic and character parallels in fun, unexpected ways.

The Manhattan Projects
is created by Hickman and artist Nick Pitarra, while
The Black Monday Murders
is written by Hickman, illustrated by Tomm Coker, colored by Michael Garland and lettered by Rus Wooton.

Even within the Marvel multiverse, Hickman is fascinated with mirrors and parallels to the Fantastic Four. Hickman’s own Fantastic Four run centers on an interdimensional council of evil Reeds’ Richards and what separates mainstream Reed from them. It’s also under his tenure that the Reed Richards of the original Ultimate Universe becomes the twisted villain The Maker. While Vostok 7 isn’t a literal FF variant, it’s still well within Hickman’s wheelhouse of exploring how different parallel and opposing versions of the Fantastic Four impact the Marvel multiverse in different ways.


G.O.D.S.
#7

is available now from Marvel Comics.

G.O.D.S. #7 (2024)

The cover of G.O.D.S. #7
  • Writer: Jonathan Hickman
  • Artist: Valerio Schiti
  • Colorist: Marte Gracia
  • Letterer: VC’s Travis Lanham
  • Cover Artist: Mateus Manhanini



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